Gerald has been separated from his wife and children for twenty-one years. Now ailing physically and mentally, he contacts them in the hope of a reunion.

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Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

Relations between Patrick and Victor reach a new low via an unending stream of post-it notes; during a visit from a council health inspector, Victor learns that the horse manure he bought for his allotment may be radioactive

History tells of memories, the longings for love and healing.

History tells of memories, the longings for love and healing.

EXO Planet #3 – The EXO'rDIUM was the third tour of South Korean-Chinese boy band EXO. This is a recording of the concert date of either November 30th, 2016 or December 1st, 2016 at the Tokyo Dome in Tokyo, Japan.

EXO PLANET #2 - The EXO'luXion was the second tour of South Korean-Chinese boy band EXO. The tour began in Seoul's Olympic Gymnastics Arena on March 7, 2015. The tour was officially announced in January 2015 with the first five dates in South Korea. The tour had 39 dates throughout Asia and five dates in North America.

A Los Angeles tollbooth clerk becomes obsessed with the Holocaust after meeting a survivor.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.